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・ Master of the Mint
・ Master of the Mix
・ Master of the Moon
・ Master of the Moor
・ Master of the Morrison Triptych
・ Master of the Nets Garden
・ Master of the Ocean
・ Master of the Order of Preachers
・ Master of the Ortenberg Altarpiece
・ Master of the Osservanza Triptych
・ Master of the Pallant Altarpiece
・ Master of the Parement
・ Master of the Passion of Christ
・ Master of the Perkins Saint Paul
・ Master of the Playing Cards
Master of the Prado Adoration of the Magi
・ Master of the Prayer Books of around 1500
・ Master of the Prodigal Son
・ Master of the Queen's Music
・ Master of the Rajhrad Altarpiece
・ Master of the Rebel Angels
・ Master of the Registrum Gregorii
・ Master of the Regular Canons' Altarpiece
・ Master of the Retablo of the Reyes Catolicos
・ Master of the Revels
・ Master of the Rings
・ Master of the Robes
・ Master of the Rolls
・ Master of the Rolls in Ireland
・ Master of the Saint Augustine Altarpiece


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Master of the Prado Adoration of the Magi : ウィキペディア英語版
Master of the Prado Adoration of the Magi

The Master of the Prado Adoration of the Magi was a Netherlandish painter active between c 1475-1500 whose identity is now lost.〔Ridderbos et al, 341〕 He is though to have originated from the southern Netherlands and is known for his vibrant colourisation in panels depicting scenes from the infancy of Christ, he is thought to have been a pupil of Rogier van der Weyden, and is named after a copy of the "Adoration of the Magi" panel from that painter's ''St Columba Altarpiece''.〔Ridderbos et al, 314〕 Although the Magi became a popular topic for northern painters in the second half of the 15th century and the Columba altarpiece was widely copied, the master is associated with van der Weyden's workshop because the copy is so close, it is believed he must have had access to a reproduction of the underdrawing.
Six panels are today associated to the master; five showing scenes from christ's infancy and one of Saint Francis.〔"(Master of the Prado "Adoration of the Magi" )" National Gallery of Art, Washington. Retrieved 16 march 2013.〕 Two panels now in the Burrell Collection in Glasgow, are assumed to be wings of a lost portable triptych. All six works had been attributed by art historian Georges Hulin de Loo to Hans Memling, a painter strongly influenced by van der Weyden (although this would date the work as 1464 at latest). de Loo noted the Glasgow panel's "elegance and sensitivity", and speculated that they were based on proto-types by van der Weyden, perhaps finished by Memling under van der Weyden's supervision. However this view was eventually rejected and the panels attributed to an unidentified painter, who had apprenticed under van der Weyden and was in contact and influenced by Memling and the Master of the Legend of St. Catherine,〔Wolfe; Hand, 156〕 who is sometimes though to have been Pieter van der Weyden, Rogier's son.〔
==Attributed works==

* ''Adoration of the Magi'' - c. 1470-1480. Prado, Madrid
* ''The Flight into Egypt'' -
* ''Presentation at the Temple'' - c. 1470-1480. National Gallery of Art, Washington D.C.
* ''Virgin Annunciate'' - Burrell Collection, Glasgow.
* ''Nativity'' - c.1475-1500. Birmingham Museum and Art Gallery.

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